Posted on 16-06-2011
Filed Under (Articles, Writing) by admin

Everyone Seems to Have a Different Definition for Voice in Writing

Much of the confusion seems to come from the way critics often extol the virtues of a newly published author. We’ll read something like, “John Doe, a striking new voice on the scene,” or “Mary Jones, the richest and most vibrant voice to hit commercial fiction in a long time.” Nice words indeed, but do they really say anything about what makes either voice special?

Voice Is Each Writer

I stated in my earlier article that voice is “you,” and I firmly believe this. If someone is told he or she displays a striking voice, I’d like to think there is something genuinely scintillating about that writer’s particular style. Likewise, if someone is claimed to possess a rich and vibrant voice, I’d expect to read a work with well-developed characters and expansive characterizations. But there is no way to be certain this will be the case, since the term “voice” is anything but definitive.

A Voice Can Be Something Specific

My least favorite phrase is when someone says a writer has a strong voice. Why not just state that the author’s prose is intelligently written? Or that the content will make the reader think? Or that the plot is complex with well-conceived threads that are expressed in an exciting and realistic manner?

Voice Is Genuinely Often Quite Distinctive

Perhaps one of the ways to illustrate voice is to look at four of the most famous American writers of all time: Faulkner, Steinbeck, Hemingway, and Fitzgerald.

Faulkner is known for intricate sentence structure that he utilized to present extraordinary characterizations; Steinbeck wrote in an easier-to-read style, but with a comparable depth to his storylines; Hemingway on the other hand crafted brilliant characterizations via a terse, sharp style that required perfect word selection; while Fitzgerald infused his narratives with characterizations so rich with imagery that they created a mood for his stories which the reader could “feel” on every page. Each of these writers achieved a like result, but with unique, unmistakable voices evidenced by the mastery of a particular writing technique.

While It Can Indeed Be Difficult to Define, Voice Is Always Present

Voice is whatever any of us want to make it. It is a word that has few limits, since it can describe quintessential material just as well as something quite pedestrian. Yet owning a voice to be complimented is what all writers should strive for, regardless of how feeble the attempt might be to explain exactly what was recognized for its excellence.

Robert L. Bacon, Founder
The Perfect Write®

For Serious Writers! The Perfect Write® in now providing a Free Opening-Chapter Critique and line-edit. Paste the first chapter of your manuscript (up to 5000 words) to [email protected] (no attachments). In addition to the critique, The Perfect Write® will line-edit, if applicable, up to the first three-pages of your double-spaced material also at no charge.

Also Free! Receive The Perfect Write® Newsletters that feature articles on writing at a publishable level. Click here and scroll to the bottom of The Perfect Write® Home Page for the simple two-step sign-up box.

(0) Comments    Read More   
Post a Comment

You must be logged in to post a comment.